A show where the urgency of stepping onto the stage makes us fall backward. Acrobatics and circus arts take place in a sparkling universe, blending with dance and wrapped in satin to shine even brighter.
Waiting for the other, for oneself, we journey through shifting perspectives. The desire to adorn ourselves, to showcase our finest costumes and movements, carries us toward a surrender where our more raw, intimate side spills into chaos.
Illusion disturbs our gaze, allowing us to perceive a different gravity. We put on makeup, dress ourselves in this brilliance, and this anticipation makes us sway, echoing the characters and images.
Celebration and joy permeate us, turning everything upside down…
For me, the creative process is a privilege, a precious moment. The desire to create À temps began with this line of intention: a show where the urgency to step onto the stage literally makes us tip over.
Acrobatics and circus arts enter a glittering universe, mingle with dance, and are wrapped in satin to shine even brighter.
While waiting for the other, for ourselves, we journey through a path of shifting perspectives. The desire to adorn ourselves, to shine, to show our finest gestures carries us to the tipping point—where a form of chaos emerges, more intimate, more raw.
Illusion disturbs our gaze, revealing a different gravity. We put on makeup, dress ourselves in light, and this anticipation makes us sway, echoing the characters and the images.
Celebration, joy, momentum… everything bursts, everything overflows—and sweeps us into a dizzying vertigo.
We worked with the artists without restraint, in a flow of surrender to creation, embracing both aesthetics and chaos, poetry with a beautiful touch of madness.
Maxime Ethier, Ben Nesrallah, Remi Leclerc